Posts Tagged ‘esplanade’

That’s right ladies and gents, Sting‘s headed to Singapore.

I may not be Sting’s biggest fan, but I think his songwriting is really something special. Performing alongside lutenist Edin Karamazov, Sting will be performing songs from his classical album Songs from the Labyrinth.

Songs from the Labyrinth is Sting’s personal tribute to 16th century composer John Dowland. A pet project with Karamov, the album went on to take on the world’s classical charts by storm. Sting admits he is a newcomer to classical music, I guess he’s a really good newcomer given his success.

So I checked out a couple of songs on youtube and it truly sounds unique. Sting’s full electric band is replaced with a softer acoustic set up, making his voice come through stronger than ever.

I must admit however that I’m not completely won over by Sting’s crossover into classical music since I’m more interested in contemporary music. While Sting’s voice really shines, I miss his songs. When I watch Sting, I’m more interested in hearing his work than I am his voice.

So should you go for it?

From the looks of it, Sting is only going to be performing his works from Songs from the Labyrinth, so if you go there expecting him to break out into Englishman in New York, you’re certainly in for a rude shock. However, if you’ve listened to the album and just want to hear it live (classical stuff tends to sound much better live), then you’re in for a treat.

If you’re Sting’s biggest fan and are willing to spend money on anything Sting has to offer then you probably won’t need any persuading anyway.

CONCERT INFO:

DATE: 8 DEC 2008, MON
TIME 7.30pm (90mins)
VENUE: Esplanade concert hall
PRICE Adults: $100, $200, $300, $400, $600
Get your tickets at Sistic

YOUTUBE LINKS:

Sting telling us how he went over to the dark(classical) side

Song: Can she excuse my wrongs. (I like this song the best)

Song: Weep you no more sad fountains

Song: Have you seen the bright lily grow

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After years in the music business and still smiling!

After years in the music business and still smiling!

That’s right ladies and gents, the boss of bossa and Tsar of Samba is coming.

When it comes to Brazilian music, I would surmise that there are few people around who can compare to Sergio Mendes. I mean, the guy had Antonio Carlos Jobim as a mentor! What I really like about him is his innovation – from the beginning, he’s taken plenty of tracks that are popular and just made them his own.

Mendes isn’t someone to rest on his laurels and dwell on his hits of old. You continue to see innovation even now as he blends hip hop music into his Brazilian rhythms. His smash hit Mas Que Nada has taken on a complete revamp with the Black Eyed Peas‘ contributing a hip hop lyrics and instrumentation. Yet the song remains, unmistakably samba, unmistakably Sergio.

A quick browse-through of the demo tracks on his website and you can see how Mendes doesn’t just keep up with the times, he shines.

Details of his show in Singapore

Singapore Sun Festival 2008
Sergio Mendes in Concert

22 Oct 2008
Wed, 07:30PM
Esplanade Concert Hall
S$148, S$128, S$88, S$68, S$48

Get your tickets at Sistic.

Sergio on a modern version of Agua De Beber:

As you can probably tell by now, I made my choice and decided to go for the amazing bass show performed by the greatest bassists in the world today. Now, a few hours after the show, I’m still reeling from the all the groove kicked up by the 3 “crazy people” as Victor Wooten put it so aptly.

Not quite a showcase of pyrotechnics and wizardry as G3 is. However, SMV had this uncanny ability to lock the whole audience in a tight groove. From start to finish, the audience kept nodding, tapping their feet or clapping to the beat of the band.

Of course, each of the individual bassists had do a little bit of showing off on their own, and each of them had their own special something to bring to the table. Victor had his inventive genius, particularly in his use of the looper machine. Marcus Miller demonstrated unfair amounts of talent by playing not just the bass, but the saxophone and the bass clarinet as well. My favourite was Stanley Clarke with his unmistakable tone (there were times I couldn’t tell Wooten and Miller apart clearly) and who went on to show off his mastery of the acoustic bass.

My fellow audience members were particularly receptive to SMV, applauding enthusiastically after every single solo and the occasional cry of “We love you Stanley!” could be heard now and then. It was a great experience really for $40.

Marcus Miller had a question for the Singapore audience early in the show,

“Singapore, do you like bass?”

Hell yeah.

As you know, I’m currently agonizing over whether to attend SMV’s performance at the Esplanade. At the same time, I’m also wondering whether I should go for John Scofield’s performance also at the Esplanade, also at the same price (Student discounts!).

Scofield isn’t really something for the uniniated. As they say, Jazz is all about tension and release. For Scofield’s music, it’s MOSTLY about tension, then there’s a teeny weeny bit of release buried somewhere in the song, and I just love it!

BE warned! If you go for his concert without ever listening to music of similar vein (IE. Modern Jazz such as Pat Metheny or Herbie Hancock) you might well feel you’ve wasted your money. Scofield, however, contributes much to modern music that I find sordidly lacking (melody and harmony). He earns my respect for that.

Did I also mention that Joe Lovano was coming with him?

Here’s one of his more err, mellow performances with John Mayer:

PS: I’m probably only going to catch just 1 of these performances, still undecided and open to suggestions!